The Gap.

An erudite hot tub sensory trilogy on design and abolition made with Larissa Eteson and Gakku Jumaniyasova.

What does sitting with complexity actually look like? How do we even begin to talk about how calls for complexity, while needed, can also feed an obfuscation in which hegemony thrives? The title The Gap comes from the German Mut zur Lücke which means, “courage to be in the gap.” The Gap has invited a range of intellectuals to help piece together disparate and incongruous opinions on the value of art, trying to get back to a sense of worldview. The first episode shows two windows display visual language of fissures, the work of Gordon Matta-Clark, and the moral complexity of the present moment with regard to austerity. A third contains an evolution of our diagrammatic practice.